An eye-opening look into the founding of the American Museum of Natural History and its original racial underpinnings.
From 1908 to 1933, the American Museum of Natural History launched more scientific field expeditions than at any other time in its existence. Sponsoring lavish trips to Africa and Central Asia, the museum filled its halls with artifacts and an aura of adventure, supported by some of New York Cityâs most prominent men, including Theodore Roosevelt and J. P. Morgan. All the while, the museumâs then president, Henry Fairfield Osborn, attempted to use his adventurersâ expeditions to fulfill a personal agenda: to propagate his belief in racial hierarchy.
Palace of Deception uncovers the complicated legacy of three iconic figures of the American Museum: the preeminent explorer Roy Chapman Andrews; Carl Akeley, the pioneering taxidermist who created so many of the museumâs most memorable exhibits; and Osborn, the museumâs president, who was once considered an authority on everything from paleontology and evolution to race and eugenics. From Andrewsâs ambitions searching for fossils in the Gobi Desert to the construction of Akeleyâs artistic masterpiece, the Hall of African Mammals, Darrin Lunde tells the story of the Americanâs Museum foundational years. Lunde also shows how the achievements of the museumâs adventurers were used to introduce residents of New York to a version of the natural worldâone full of strict natural laws and categoriesâendorsed by the museumâs powerful leader.
Based on extensive diaries, letters, journals, and the authorâs own experiences leading modern-day expeditions to several of the same places, Palace of Deception re-creates some of the most celebrated, globe-trotting journeys from natural historyâs heyday. It also traces the larger, racially infused milieu that underwrote the golden age of exploration, uncovering the simmering anxieties about race behind the eraâs greatest adventures. It is a legacy that still haunts natural history institutions today.
An eye-opening look into the founding of the American Museum of Natural History and its original racial underpinnings.
From 1908 to 1933, the American Museum of Natural History launched more scientific field expeditions than at any other time in its existence. Sponsoring lavish trips to Africa and Central Asia, the museum filled its halls with artifacts and an aura of adventure, supported by some of New York Cityâs most prominent men, including Theodore Roosevelt and J. P. Morgan. All the while, the museumâs then president, Henry Fairfield Osborn, attempted to use his adventurersâ expeditions to fulfill a personal agenda: to propagate his belief in racial hierarchy.
Palace of Deception uncovers the complicated legacy of three iconic figures of the American Museum: the preeminent explorer Roy Chapman Andrews; Carl Akeley, the pioneering taxidermist who created so many of the museumâs most memorable exhibits; and Osborn, the museumâs president, who was once considered an authority on everything from paleontology and evolution to race and eugenics. From Andrewsâs ambitions searching for fossils in the Gobi Desert to the construction of Akeleyâs artistic masterpiece, the Hall of African Mammals, Darrin Lunde tells the story of the Americanâs Museum foundational years. Lunde also shows how the achievements of the museumâs adventurers were used to introduce residents of New York to a version of the natural worldâone full of strict natural laws and categoriesâendorsed by the museumâs powerful leader.
Based on extensive diaries, letters, journals, and the authorâs own experiences leading modern-day expeditions to several of the same places, Palace of Deception re-creates some of the most celebrated, globe-trotting journeys from natural historyâs heyday. It also traces the larger, racially infused milieu that underwrote the golden age of exploration, uncovering the simmering anxieties about race behind the eraâs greatest adventures. It is a legacy that still haunts natural history institutions today.