From one of the greatest prose stylists of any generation, the essay that inspired the theme of the 2019 Met Gala, Camp: Notes on Fashion
Many things in the world have not been named; and many things, even if they have been named, have never been described. One of these is the sensibilityâunmistakably modern, a variant of sophistication but hardly identical with itâthat goes by the cult name of âCamp.â
So begins Susan Sontagâs seminal essay âNotes on âCamp.â â Originally published in 1964 and included in her landmark debut essay collection Against Interpretation, Sontagâs notes set out to define something that even the most well-informed could describe only as âI know it when I see it.â At once grounded in a sweeping history (Louis XIV was pure Camp) and entirely provisional, Camp delights in low and high culture alike. Tiffany lamps, the androgynous beauty of Greta Garbo, King Kong (1933), and Mozart all embody the Camp sensibility for Sontagâan almost ineffable blend of artifice, extravagance, playfulness, and a deadly seriousness. At the time Sontag published her essay, Camp, as a subversion of sexual norms, had also become a private code of signification for queer communities.
From one of the greatest prose stylists of any generation, the essay that inspired the theme of the 2019 Met Gala, Camp: Notes on Fashion
Many things in the world have not been named; and many things, even if they have been named, have never been described. One of these is the sensibilityâunmistakably modern, a variant of sophistication but hardly identical with itâthat goes by the cult name of âCamp.â
So begins Susan Sontagâs seminal essay âNotes on âCamp.â â Originally published in 1964 and included in her landmark debut essay collection Against Interpretation, Sontagâs notes set out to define something that even the most well-informed could describe only as âI know it when I see it.â At once grounded in a sweeping history (Louis XIV was pure Camp) and entirely provisional, Camp delights in low and high culture alike. Tiffany lamps, the androgynous beauty of Greta Garbo, King Kong (1933), and Mozart all embody the Camp sensibility for Sontagâan almost ineffable blend of artifice, extravagance, playfulness, and a deadly seriousness. At the time Sontag published her essay, Camp, as a subversion of sexual norms, had also become a private code of signification for queer communities.