The first full-length novel from one of the most renowned writers of the twentieth century, the Pulitzer Prizeāwinning author of American Pastoral, tells the story of a mid-century America and offers āfurther proof of Mr. Rothās astonishing talentā¦Letting Go seethes with lifeā (The New York Times).
Published when Roth was twenty-nine and set in Chicago, New York, and Iowa city, Letting Go presents as brilliant a fictional portrait as we have of America in the 1950s defined by social and ethical constraints and by moral compulsions conspicuously different from those of today.
Newly discharged from the Korean War army, reeling from his motherās recent death, freed from old attachments and hungrily seeking others, Gabe Wallach is drawn to Paul Herz, a fellow graduate student in literature, and to Libby, Paulās moody, intense wife. Gabeās desire to be connected to the ordered āworld of feelingā that he finds in books is first tested vicariously by the anarchy of the Herzesā struggles with responsible adulthood and then by his own eager love affairs. Driven by the desire to live seriously and act generously, Gabe meets an impassable test in the person of Martha Reganhart, a spirited, outspoken, divorced mother of two, a formidable woman who, according to critic James Atlas, is masterfully portrayed with ādepth and resonance.ā
The complex liaison between Gabe and Martha and Gabeās moral enthusiasm for the trials of others are at the heart of this tragically comic work.
The first full-length novel from one of the most renowned writers of the twentieth century, the Pulitzer Prizeāwinning author of American Pastoral, tells the story of a mid-century America and offers āfurther proof of Mr. Rothās astonishing talentā¦Letting Go seethes with lifeā (The New York Times).
Published when Roth was twenty-nine and set in Chicago, New York, and Iowa city, Letting Go presents as brilliant a fictional portrait as we have of America in the 1950s defined by social and ethical constraints and by moral compulsions conspicuously different from those of today.
Newly discharged from the Korean War army, reeling from his motherās recent death, freed from old attachments and hungrily seeking others, Gabe Wallach is drawn to Paul Herz, a fellow graduate student in literature, and to Libby, Paulās moody, intense wife. Gabeās desire to be connected to the ordered āworld of feelingā that he finds in books is first tested vicariously by the anarchy of the Herzesā struggles with responsible adulthood and then by his own eager love affairs. Driven by the desire to live seriously and act generously, Gabe meets an impassable test in the person of Martha Reganhart, a spirited, outspoken, divorced mother of two, a formidable woman who, according to critic James Atlas, is masterfully portrayed with ādepth and resonance.ā
The complex liaison between Gabe and Martha and Gabeās moral enthusiasm for the trials of others are at the heart of this tragically comic work.